Audix M1250BS Condenser Microphone

$450.00 $429.00
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Audix M1250BS Condenser Microphone (Supercardioid) (Audix-M1250BS)

Audix M1250BS Condenser Microphone (Supercardioid)

The M1250B is a miniaturized cardioid condenser microphone with a fully integrated preamp, detachable cable and has RF immunity to prevent interference from cell phone and GSM devices. The M1250B is also available with hypercardioid, omni or shotgun capsules, giving the microphone the unique ability to be used in a wide variety of live, studio and broadcast applications. The M1250B condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for acoustic instruments, choral miking, overhead stage miking, podiums, conferences and presentations. It is available in a variety of polar patterns: cardioid, hypercardioid, omnidirectional, and supercardioid. It is available in either a black or white finish.  


  • Acoustic instruments
  • Ambient room miking
  • Symphonic area miking
  • Speech, presentation
  • Cymbals, percussion
  • Acoustic miking
  • Choral miking




Polar Pattern


Frequency Response

50 Hz - 19 kHz


150 Ohms


10 mV (C/HC), 11 mV/Pa (O/S) / Pa @1k

What's In The Box

  • 1 x M1250B Miniaturized Condenser Microphone
  • 1 x CBLM25 25' Cable With Mini-XLRf - XLRm Connectors
  • 1 x MCMICRO Microphone Stand Adapter (not included with models in white) 
  • 1 x MCHANGER Hanging Clip
  • 1 x WS1218 External Windscreen

USER TIPS  - The M1250B, despite its size, has all the attributes of a world class recording microphone. Low noise integrated electronics allows the microphone to function in the close field as well as in distance miking. It can be used on a wide variety of acoustics instruments as well as on voice and vocal ensembles. Cardioid: The cardioid pattern is the most widely used as it offers a good balance between the sound of the instrument or voice within the context of the room or venue. For instruments, the M1250B may be positioned anywhere from 3 - 12 inches depending on instrument and room acoustics. For speech or singe voice the typical working distance is 8 - 10 inches. For area miking or group vocals the working distance can be between 2 - 3 feet from the sound source. Hypercardioid: In situations where the volume is loud on stage or there are many open microphones, this pattern is helpful in further isolating the instrument or vocal from the rest of the instruments on stage. The microphone can be worked at ½ the distance of cardioid if necessary. Supercardioid: This pattern has a longer reach and more narrow pattern than the other cardioid patterns. This pattern is helpful for podium applications where more distance is a factor. It is helpful in pin-pointing hard to reach areas, especially for recording outdoors, and with video. Omni: This pattern offers the most accurate and natural sound reproduction of all the patterns. It is ideal for recording, live broadcasts or video where sound reinforcement speakers are not an issue.